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On The Other Hand: A Quick Note On Craft and Unlikely Choices
Whose Story Is It? Let’s talk point of view [WHAT! AGAIN?]. Most fictional work, and most of my work, is in third person point of view. It’s so strong, so adaptable. You can have a separate narrative voice, one that knows more (or less) than the protagonist. You can play distance tricks to fit the book’s situation—move in closer to the main character or zoom out. You can treat the protagonist coldly, or in using informal indirect discourse, get right into her head with the wr
Scott Archer Jones
Dec 20, 20252 min read
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